Who is roland emmerich




















Watch the video. Sign In. Roland Emmerich Writer Producer Director. Up 2, this week. View rank on IMDbPro ». View Resume ». Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope See full bio ». Filmography by Job Trailers and Videos. Share this page:. Related News One small step, once every few years: when will Roland Emmerich stop going to space?

Around The Web Provided by Taboola. Projects In Development Singularity. Untitled Roland Emmerich Arctic Thriller. Details only on IMDbPro ». Catching Up With Chin Han. Create a list ». Born in Germany. But will "Independence Day: Resurgence," directed by German-born filmmaker Roland Emmerich, see as much success as its top-grossing predecessor from 20 years ago? A quantum leap as radical as the invention of the talking picture: KINO features a critical essay about the aesthetics of virtual reality on the big screen.

We meet specialists in Stuttgart, Los Angeles and Berlin. Visit the new DW website Take a look at the beta version of dw. Go to the new dw. More info OK. Wrong language? Change it here DW. COM has chosen English as your language setting. Birthday: Nov 10, Birthplace: Stuttgart, Germany. Though he was raised on a steady diet of independent-minded German filmmakers like Rainer Werner Fassbinder and Wim Wenders, director Roland Emmerich aspired early in his career to make blockbuster Hollywood movies.

After making a name for himself by helming "The Noah's Ark Principle" , the most expensive student film ever made in Germany, Emmerich crossed the Atlantic Ocean to make mainstream studio films.

His first, "Universal Soldier" , was an unexpected hit, which paved the way for him to direct his pet project, "Stargate" Along with writing and producing partner, Dean Devlin, Emmerich established himself as a resourceful sci-fi specialist who earned a reputation for meticulous preparation and remarkable cost-efficiency. Emmerich launched himself to the top of the Hollywood food chain with "Independence Day" , a big, loud, sci-fi film that was long on computer-generated special effects but short on narrative and character development.

He went on to direct several big budget mega-disaster flicks like "Godzilla" , "The Day After Tomorrow" and "10, B.

A look at what films like "Sully" and "Deepwater Horizon" say about the modern disaster movie. A look at the legacy of "Independence Day," as reflected in films that tried to top it, including its sequel. The latest on Blu-ray, including collector's editions of masterpieces from Robert Altman and Michael Mann. An overview of the films that will be theatrically released in the fall season. The science, ethics and rubber suit of Godzilla; Ralph Bakshi on animation's past and future; Ellen Burstyn on acting and direction; what videogames taught movies.

A dinosaur that started on four legs and then graduated to two, just like humans; a Chinese poet writes about his experience of torture in prison; why all journalism is "advocacy journalism"; why it matters that 50 Shades of Grey will have a female director; a brief history of the president as action hero; the 50 essential lesbian, gay, bisexual and transgender movies; artist creates portraits of people she's never met via DNA samples from cigarette butts.

Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. I should know; I worked on it. Here it is, below. Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too.

Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, in London at the age of As accolades come pouring in from fans young and old, and obituaries honor his achievements , I thought club members would enjoy remembering what Harry did best.

It also opens June 15th in limited theatrical release. If you've seen the thriller "Timecrimes," you already know that Spanish writer-director Nacho Vigalondo has a noteworthy knack for developing big ideas in this case, time travel on an intimate scale.

With his second film, "Extraterrestrial, " Vigalondo presents another, more intricate exercise in thwarting expectations. Imagine the bloated-budget excess of a blockbuster like "Independence Day," with dozens, maybe even hundreds of gigantic alien spaceships hovering ominously over Earth's major cities.



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